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Critical Design Prototyping

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You have undoubtedly heard the sound of a guitar sometime during your life. And you have most likely also seen one. And you have probably also held one in your hands at some point. And maybe, if you’re lucky, you have also played one.

But when you really think about it; what is a guitar? What does it feel like? Where did it come from? What does it take for it to play?

 

To answer these questions, one might start with Google. But will it be able to give you the answers you are searching for? Does Google know what something feels like? What it means to feel? Google can probably provide you with the basic, fact-based answers, such as “the guitar is a musical instrument classified as a string instrument with anywhere from four to 18 strings, usually having six,” and: “A 3,300-year-old stone carving of a Hittite bard playing a stringed instrument (…) show people playing an instrument that has a strong resemblance to the guitar, indicating a possible Babylonian origin for the guitar.”1 And this wasn’t even Google, it was Wikipedia helping us out. And I have heard that Wikipedia is not to be trusted…

Instead you could talk to musicians, psychologists, anthropologists, philosophers and physicists or maybe even some guy from MTV (if you think he can help you with anything).

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However, what we chose to do was to start by thinking about different ways to approach the guitar. What makes a guitar? We quickly agreed that the strings ate an important part f a guitar. Maybe the most important thing. Because a guitar without strings – is that even a guitar? And how would you produce the sounds that make sweet music without them?
Okay, so now we have the strings.. What else?

The tone of an acoustic guitar is produced by the strings' vibration, amplified by the hollow body of the guitar; the resonating chamber. So we needed that too. ‘Cause we wanted to make an instrument that actually works.

Then we thought about society. What do we see out there in the world today? We looked towards the music industry and what caught our attention was the culture of the MTV One Hit Wonders. What is this new phenomenon, where MTV Push(es)2 one hopeful singer to the top of the lists one month, and in the next they have forgotten all about them and moved on to the next? What about their “Cover of the Month”, where people who (some of them) can sing, but not write texts, so here they have a change to get on TV anyway and for at least a couple of seconds everyday that month.

What is my point with all of this? I guess it’s just to let you in on how many artists (products) are being produced today with the purpose of a quick hit.

And then the hard part comes up; how can they follow up the big success of their first single with so little talent? Most of them just can’t and they fade into oblivion.

To help the young stars take the pressure off the difficult hit no. 2 (and also to make a point), we decided to make the resonance camber in ice. This way, they can only record that one hit, and then the instrument simply will not work anymore.

Instead of the long, fretted neck, onto which the strings are attached, we constructed a curved piece of wood nailed on top of a wooden foot. We laser cutted holes for the strings and engraved a few graphic, decorative lines. We attached the strings with eyebolts so we would be able to tune our guitar.

Then we started on the resonance chamber – the ice bucket. We used two buckets, a large and an extra large. (And this part caused us a lot of problems.) We had to build a system where the top bucket wouldn’t touch the bottom of the bottom bucket to create a base of ice. What we hadn’t thought of was that the top bucket of course would float when we would poor in the water between the two. I ran back and forth to get heavy kitchen supply (mainly pots and pans) to put in the top bucket to hold it down. Little did it help. Then I remembered duct tape, which is always a savior. I taped the top bucket onto the bottom bucket in the correct height, to prevent it from floating too much when adding water the second time. It worked! We were now on our way to get the perfect temporary resonance chamber. It just had to rest in the freezer over night.

We took it out of the freezer and places our wooden string instrument in the bottom of the ice bucket.
Then we took our instrument out in the real world to test people’s reactions.
Would they be able to interact with it? To see what it’s purpose was?


Now does this mean we have answered the questions above?

No, we are not saying that this is what a guitar is or feels like or come from.

We do not claim to have gained scientific proof of anything.

We did not even proof that there is a one hit wonder-MTV generation.  That might all be in my head…

 

What we did, was to materialize some of the concepts in critical design theory:

- We dematerialized; we only used the most important parts and components from the guitar.

- We used juxtaposition; we took an ice bucket and a small string instrument to make a whole new instrument with a new meaning.
- We made an INFRA-ORDINARY instrument; it is supposed to stop functioning after a period of time.

Of Dunne & Raby’s a/b-manifesto we focused on:

- What makes us think: We want people/musicians/young up comers to take a look at the industry and what is happening with all the easy access to self-record and self-publish your material.

- Research through design: We wanted to find out what a guitar is to us. What functions and look it needs to be perceived as a guitar.


If we had all the resources at our disposal we would make a couple of more ice

bucket guitars, and put them up in guitar shops to see how musicians will react and what they would have to say about the music industry. And if they would even come to think of that just by playing on our ice bucket.

We would get someone to record a song, using this instrument and we would make a music video of the instrument melting and the music slowly dying out, just to get the point better across. And we would get MTV to show this music video as that month’s MTV Push Hit.

 

1 https://en.wikipedia.org/wiki/Guitar 

2 http://www.mtv.co.uk/mtv-push                                                                                                                                                                      January 2017

© 2018 Maria Madsen

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